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Home > News & Features > Theme parks > Vulcania

Theme parks

Vulcania

Journey with Vulcania to the centre of the Earth

Like the fascinating world of volcanoes it portrays, Vulcania is always on the move.  When it reopens on 21 March for its 2007 season, this extraordinary theme park will offer three startling new features: the Great Crater, Magma Explorer and Waking Giants.  The Great Crater takes people to the very edge of a volcano during an eruption, recreating its heat, its smells, its noise and its vibrations. Magma Explorer is a voyage of extremes, in a futuristic vessel capable of reaching the very heart of a volcano. Waking Giants is a movie simulation of what might happen if the volcanoes of the Auvergne, dormant for 10,000 years, suddenly woke up…

With more than 30 attractions spread across 57 hectares (about 170 acres), Vulcania offers a complete day out for adults and children alike. It caters for children from age 5 upwards, with special exhibitions designed for the very young. Many visitors arrive expecting to spend only a couple of hours at the site and find that it holds their interest, with meal breaks, for up to seven hours at a time. Nor is it particularly expensive: a family ticket, for two adults and two children, is priced at 59 Euros for 2007.

Vulcania’s architecture is unique, a cross between a crater and a cone, bordered by walls of real volcanic rock. To gain access to the permanent underground exhibitions, the visitor descends a dramatic spiral ramp. This follows the sheer walls of a crater, 38 metres deep, set in solidified lava dating from 30,000 years ago. There is an uncanny sense, as if in a Jules Verne novel, of beginning a journey to the centre of the earth. Ominous rumbling sounds and steaming fumaroles of volcanic gases make tiny hands much more willing than usual to cling to their parents. 

Before long, the Rumbling Chamber takes visitors to the very edge of a crater, and into the Etna Room, a huge space invaded by fierce lava flows. Lava has half buried a car and poured relentlessly into buildings; nothing can stand in its way. Little groups of arrivals are shepherded on walkways above the flows while, in the distance, Mount Etna smokes and bellows and continues to spew lava from the bowels of the earth. You know deep down it is not real but the feeling of unease is uncanny. 

The crash and thunder of eruptions finally dies away as you enter the Volcanic Garden, a huge atrium full of light and peace. Exotic plants and grasses, some of them more than 6ft tall, which flourish on high volcanic ground in subtropical countries, combine to show how new life returns to a devastated landscape.

The evolution of geology through volcanism had a fundamental role in the formation not just of planet Earth, 4.6 billion years ago, but in the entire Solar System. This is vividly demonstrated by four models of volcanoes, each to scale, that compare the tiny local volcano, the Puy-de-Dôme, with Mount Etna, Mauna Loa and Olympus Mons, a massive volcano on Mars that measures 650 kilometres in diameter and is an incredible 27km high. Portholes, like those on a space ship, recreate the view recorded by unmanned probes, and show how Earth is far surpassed in ongoing volcanic activity by Venus, Mars, Mercury and especially Io, the turbulent satellite of the planet Jupiter.

And yet, as an ingenious, stylised model of an Earth stripped of its oceans demonstrates, our planet has no fewer than 520 active volcanoes. Vulcania uses video images of 37 of these volcanoes, filmed by the intrepid volcanologists Maurice and Katia Krafft.  Computer animations plot and project the violent movement of Earth’s 15 tectonic plates, and show how mountain ranges are formed.

The Theatre of the Universe, one of Vulcania’s two huge cinemas, tracks the evolution of the Solar System through the eyes of a meteorite, showing the impact of volcanoes on the planets’ transformation as they revolve around the Sun.

Outside, visitors find themselves on the trail of volcanoes, wandering among hot springs, geysers and mud pots that make up this 150sqm reconstruction of a post-volcanic landscape. Then, at the Magic Pool, they are carried high above the ground, for a view of Europe’s most spectacular volcanoes in France, Italy, Germany, Greece and Iceland. 

The devastating effect of volcanoes upon Man is vividly illustrated by a recreation of the eruption of Mount St Helens in May 1980, complete with buried cars and wrecked buildings. Suddenly the work of the Observatory, showing the exacting techniques used to monitor volcanic activity, takes on a more meaningful purpose. Visitors are confronted by the same dilemmas faced by seismologists, through a simulation of a volcano above a sleepy small town, and one that soon shows alarming signs of activity.  When should people be warned and moved to prevent catastrophic loss of life? 

The dangers of volcanoes are vividly illustrated by a display based on the experiences of Kraffts, with spectacular objects from their private collection. The couple took huge risks in filming volcanoes, and in June 1991 these dedicated scientists were killed by an violent eruption on Mount Unzen in Japan.

The Earth is far from tamed, and this is demonstrated in spectacular fashion by the centrepiece of Vulcania’s exhibition, its interactive seismic simulator. The largest earthquake simulator in Europe carries Vulcania’s visitors all over France, enabling them to feel at first hand the vibrations that run under a city’s streets.

But for children who like to touch and feel things, the highlight of their visit may be Tamentit, the most ancient object on Earth.  This metal meteorite is as old as our world itself and weighs more than half a ton. This may be tempting providence, but so far Tamentit has defied the efforts of the most accident-prone child even to dent it.

To reach Vulcania, which is near Clermont-Ferrand, from the north take A71, from the south A75, in each case joining A89 direction Bordeaux and leaving at the Vulcania/Bromont exit.

Visit www.vulcania.com to find out more.

From our January 2007 newsletter


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